Michael Schmidt - EIN-HEIT

Michael Schmidt - EIN-HEITAfter the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany's past. About half of the works are Schmidt's own photographs; the remainder are photographs

he borrowed motifs and a narrative device: ‘objects’ are singled-out

Thomas Struth

and looking directly via the webcam

Thomas Lindenberg und Marja MarleneLechner

Davison turns his inimitable eye on Ol Pejeta Conservancy to capture the grace

On the time IEMS existed

Therefore the end product

” he explains

112 colour plateswith a 24-page text by the artistSection-sewn silkscreened debossed cloth hardcover

The hills and valleys of low resolution 3D printing serve to distort and blend the individual bands of light

employing specially-made Geographic Information System (GIS) imaging technology

The colour photographs that make up this series are brimming with life and reveal the formation of Delaney’s generous approach to photographing streets and the people who inhabit them