Erik Gustafsson – A House of Clay

Erik Gustafsson – A House of ClayThe birdsong of everyday life interacts with cycles of darkroom creation and destruction in Gustafsson's expressive monograph. In A House of Clay, Gustafsson places his conceptual and contextual photographic process in dialogue with a simple premise, a truism of photography: to elevate the everyday, to find meaning and take seriously the smallest of occurrences in ordinary life, and to invoke a sense of gratitude and wonder toward consciousness,

English / French / Japanese / German

using the casual language of the cameraphone to evoke something profound

these illegal techno parties

Ola Rindal employs blurriness and abstraction to express distance

From the big to the small

Lichtenstein’s boldest foray into abstraction

Riverola's images contain a casual offhandedness

alors qu’ils sont séparés de mille kilomètres : « Si mes larmes coulaient dans tes yeux » dont il fait le point de départ de l’ouvrage

Rousset mixes these exaggerated scenarios with striking landscapes and naturalistic portraits

as much as a reference to the project’s subject of investigation

A meditation on the stone age monuments and structures surrounding my studio in West Penwith

30 color illustrations